The book “Drawn from Paradise”, which includes the sketches from Bird Paradise, catches our attention and inspires us greatly for this collection. We researched about different behaviors of birds and transformed them into prints. For this show we want Vatanika to have a clear image of the ready-to-wear clothing and make it different from another couture line “Vatanika Atelier” that produces gowns and wedding dresses. The show attendees will see stronger identity of the brand and our emphasis on presenting women’s natural curves.
Source: Vatanika Press Release
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Digital technology is such a good thing especially for those with extremely creative imaginations. London-based artist Daniella Zalcman realizes the concept behind her latest project, which is simply called New York + London: A Collection of Double Exposures. As the title declares, the collection is simply what it states.
From the Far Rockaway to the South Bronx in New York, or from Hammersmith all the way to White Chapel in London, the series merges iconic landmarks and imagery, turning into a series of amalgamated images of locations, haunts and skylines.
Originally inspired by the concept during her last month in New York City, Zalcman snapped over 100 smartphone photographs of the streets in NYC. With that start, she then used different smartphone apps to juxtapose her pictures of the Big Apple over images of London.
The composite results reveal striking similarities between two of the world’s most iconic cities. Zalcman’s work has been featured in The Wall Street Journal, Vanity Fair, and Sports Illustrated, and she is at present raising funds thru Kickstarter to fund a photo book of her work.
Zalcman recently spoke of New York + London: A Collection of Double Exposures,
“I was inspired by my move from New York City to London last year. I think it’s natural (and unavoidable) to constantly compare your old home and your new home when you move somewhere new (“London cab drivers actually know how to get around!” “The Tube closes at 12:30am?!”), and this is my way of visually capturing that instinct. These images are very much about architecture and urban infrastructure and I love comparing the two cities in that particular respect. London feels like such an old city rooted in visual tradition, where New York always feels like it’s trying to be as shiny and new as possible.”
Source: Double Exposure
World Press Photo, who has selected VII Photo co-founder Gary Knight as chair of its 2014 contest, has announced a change of rules regarding “the permissible levels in post-processing of image files” submitted following this year’s intense debate about manipulation in photojournalism
Earlier this year, World Press Photo was forced to re-evaluate the integrity of its winning image following false allegations of forgery leveraged against photographer Paul Hansen. While a panel of forensic analysts found that the image had not been digitally manipulated, it concluded that the image had gone through “a fair amount of post-production, in the sense that some areas [had] been made lighter and others darker,” wrote Eduard de Kam, a digital photography expert at the Dutch Institute for Digital Photography.
The allegations were at the centre of an intense debate about the increasing post-production practice in photojournalism, as discussed in a BJP article published last May.
Now, World Press Photo has confirmed that it will introduce new rules for its 2014 contest. “There has been a lot of discussion and widespread speculation regarding the permissible levels in post-processing of image files in the contest,” Michiel Munneke, World Press Photo’s managing director. “We have evaluated the contest rules and protocols and examined how to create more transparency, and we have changed the procedures for examining the files during the judging.”
He continues: “We will announce further details when the 2014 Photo Contest opens for entries later this year, but the bottom line is that we will need to be able to rely on the integrity and professionalism of the participating photographers.”
The contest will be calling for entries in December with a 15 January 2014 deadline. The winners will be selected by a jury chaired by VII Photo’s co-founder Gary Knight.
“The World Press Photo contest evolves every year as it seeks to adapt to the rapid changes in the media landscape,” says Knight in a press statement. “The very definition of what constitutes the press or what is a photograph has transformed since the Award was instituted. World Press Photo takes its role as the world’s most prestigious and multi-genre global photojournalism award very seriously and, as I look forward to chairing the jury again, there are new categories and a more diverse demographic of jurors to adapt to this changing topography.”
For more information, visit www.worldpressphoto.org.