In his series “Bodies with No Regret” Italian photographer Sandro Giordano portrays a wide range of characters going down head first. Some of the falls seem truly terrible and painful, fatal even, and yet the viewer will struggle not to smile. Giordano’s orchestrated choreographies pay great attention to detail. Clothes and props hint at the character’s role in society before his or her fall from grace. A farmer’s daughter, a religious woman, a boxer or a man in a kinky leather outfit: a sudden fall can happen to us all …
Martin De Pasquale is an artist and photographer based in Buenos Aires, Argentina. Martin is currently an art director for an advertising agency but is best known online for his incredible photo manipulations and surreal digital artworks.
Using programs like Photoshop, Poser and 3DS Max, De Pasquale creates amazing images that distort the lines between reality and fantasy. While the digital artist is adept with the previously mentioned software programs, a great deal of planning goes into his composites. Photographing the various elements of his work at the right angle/distance and with the correct lighting is integral to making the photo manipulations appear realistic.
Fran Carneros is a visual artist who chooses to express himself via the medium of photography. His website is awash with an abundance of surrealist series that are incredibly compelling to look at – from landscapes, to portraits, to street photography, these are certainly some of the most absurd images you have ever seen.
For Carneros, surrealism is a “form of communication” and speaking of his projects, he outlines his intentions:
“I intend to express ideas that grow in my mind through a closely related technique of collage, although I use digital media to perfect pictures.”
He goes on:
“With each of my photographs I intend to express absurd ideas and thoughts, but at the same time have the ability to make the audience think.”
Indeed, the following images will undoubtedly make you ‘think.’ Dive right into the creepiness and check them out!
Fran Carneros website: http://www.francarneros.com/
by Martushka Fromeast, Nyima Tamang
“The main aim of my project is setting a clear goal and enabling a group of young people to accomplish something spectacular. I did not want 27 children in Syafrubesi, Nepal to become photographers, but I wanted them to get courage. I wanted to empower them and help tem to find a way to achieve whatever they want to achieve, regardless of their economic situation.”
In order to prepare ‘The Story of Gosaikunda from the Eyes of the Kids from Syafrubesi’, we created a set of photographs illustrating a local story, Chogar and Chona, shared with us by a local shaman. A group of 27 young people living in Syafrubesi village in Lamtang region of Nepal were supervised by myself and Nyima Tamang a local activist. The young people also received some training from Kishor Dangol and Priya Tamang, both from Kathmandu, Nepal.
I collected in Poland and UK second hand digital cameras from different people and took them to Nepal and taught young people how to use them. Afterwards, during carefully planned sessions, we divided the story and prepared professional storyboards. We worked towards the plan, carefully designing every picture. We shot knowingly and used a variety of photographic means, playing with narrative sequencing and visual language of photography itself, carefully choosing the natural light or mixing it with artificial light, using long and short exposures, fake perspectives and so on. As a result, we created 20 pictures to illustrate the story.
The Gosaikunda Lake is situated at 4380 meters above the sea level. The lake is considered to be holy by Buddhist, Shamans and Hindu believers. The set of pictures illustrate the local story explaining the creation of the Gosaikunda Lake:
‘There is an amazing place nearby. Many years ago there was a village between hills. In this village, there lived two sisters, eldest was Chona and youngest was Choga. Once they set off to the jungle to fetch grass for the cows. They got very tired as they worked really hard. When they saw a beautiful place they decided to take a little rest there. When they finally set on to home, Chogar saw next, an even more beautiful place. Oh, how much she wanted to reach there. She started to walk. Suddenly, Chogar and Chona were no more together. No one knew where was Chona, Chogar was searching her so hard. Few months passed and Chogar was still searching for her sister Chona. Chogar was so tired searching, no where being able to find her sister Chona. Finally, in one place, she just sat. Chogar was searching days and nights and anywhere she could find any information about her lost sister. She had in her heart the true love for her sister. This love changed her into a Goddess. When she finally found her sister she was very happy. But when they started to talk, it came out that Chona found a place she really wanted to stay and she did not wanted to live anymore with Choga. Choga got really angry as she was searching her sister for all this time. But Chona’s heart was black and she did not care for her sister’s feelings, she just left to live by her own. Chona’s egoism made all her body black. Chogar said to Chona: “You may stay by yourself, anyway I will be always around. One day you will see.” Since then Choga become a respected Godess and all the people celebrated her. When the sisters time passed, they changed into lakes. Since then, every year during Janai Purima holidays, we come to the Gosaikunda lake to celebrate Choga.’
To set a clear aim and enable the group of young people to accomplish something spectacular is what was most important. I did not want 27 children in Syafrubesi, Nepal to become photographers but I wanted them to become courageous. I wanted to empower them, disregarding their economic situation, to be able to find the way and achieve things they want to achieve.
The project was financially supported by Polish Institute in New Delhi, Social Welfare Foundation, Syafrubesi as well as via a Kickstarter campaign supported by a group of individuals. I want to thank my local collaborator Nyima Tamang for help in running the workshops. I was also supported by volunteers from Kathmandu: Kishor Dangol, Priya Tamang and Prakash Sijapati.
Pictures taken by children from Shyabrubesi and Martushka Fromeast
Story curated & edited by Martushka Fromeast
in collaboration with Nyima Tamang, Kishor Dangol & Priya Tamang
Digital technology is such a good thing especially for those with extremely creative imaginations. London-based artist Daniella Zalcman realizes the concept behind her latest project, which is simply called New York + London: A Collection of Double Exposures. As the title declares, the collection is simply what it states.
From the Far Rockaway to the South Bronx in New York, or from Hammersmith all the way to White Chapel in London, the series merges iconic landmarks and imagery, turning into a series of amalgamated images of locations, haunts and skylines.
Originally inspired by the concept during her last month in New York City, Zalcman snapped over 100 smartphone photographs of the streets in NYC. With that start, she then used different smartphone apps to juxtapose her pictures of the Big Apple over images of London.
The composite results reveal striking similarities between two of the world’s most iconic cities. Zalcman’s work has been featured in The Wall Street Journal, Vanity Fair, and Sports Illustrated, and she is at present raising funds thru Kickstarter to fund a photo book of her work.
Zalcman recently spoke of New York + London: A Collection of Double Exposures,
“I was inspired by my move from New York City to London last year. I think it’s natural (and unavoidable) to constantly compare your old home and your new home when you move somewhere new (“London cab drivers actually know how to get around!” “The Tube closes at 12:30am?!”), and this is my way of visually capturing that instinct. These images are very much about architecture and urban infrastructure and I love comparing the two cities in that particular respect. London feels like such an old city rooted in visual tradition, where New York always feels like it’s trying to be as shiny and new as possible.”
Source: Double Exposure
BK Magazine has asked Bangkokians “What is it that you love so very dearly about your beautiful city?”
This is what they said: