“After many tries with various styles, the latest collection of Hook’s by Prapakas will mark its return to the brand’s core identity of femininity and sexiness. We use the basic of punk combined with couture fashion and introduce the new silhouette that has black as main color with neon or metallic colors. we started working on this collection early this year and of course we have worked very hard to perfect every single detail. Half of this collection is ready-to-wear which consists of shirts, skirts and pants. The other half is couture clothes and unisex apparel. ”
Source: Hooks by Prapakas Press Release
See all collection below:
“This collection’s inspiration comes from the curved and geometric prints which appear on the pottery of Ban Chiang in the north eastern Thailand. The form of these potteries connects with silhouette in this collection. The colors scheme is not limited to to the colors that we used in the past but we also use black,gold, maroon and cream. In addition we also have embroidery made by hand and flower pattern that is our long-time signature.”
Source: Tipayaphong Poosanaphong Press Release
See all collection below:
The book “Drawn from Paradise”, which includes the sketches from Bird Paradise, catches our attention and inspires us greatly for this collection. We researched about different behaviors of birds and transformed them into prints. For this show we want Vatanika to have a clear image of the ready-to-wear clothing and make it different from another couture line “Vatanika Atelier” that produces gowns and wedding dresses. The show attendees will see stronger identity of the brand and our emphasis on presenting women’s natural curves.
Source: Vatanika Press Release
See all collection below:
From Sept 10-15, Elle Thailand will host the Elle Fashion Film Festival, marking the first movie-fest in Thailand on the theme of fashion.
Post International Media managing director Sirimon Na Nagara said with Elle magazine advancing into its third decade soon, and after the ‘‘Burst out Your Style’’ campaign earlier this year, she found that the brand is associated with various aspects of life through fashion. ‘‘Elle magazine is more than just a fashion magazine. It is a part of life and culture. Weaim to be a fashion authority, and for us, fashion is all around. Film and fashion are inseparable — film influences fashion, and vice versa.’’
While it is not easy to define a ‘‘fashion film’’, after hard work and months of preparation, nine films have been selected for the inaugural event, hand-picked by a five-person selection committee, namely Elle Thailand editor-in-chief Panu Sombatyanuchit, SF Corporation’s Suwannee Chinchiawsharn, fashion stylist Araya Indra, Greyhound designer Jitsing Somboon and Bangkok Post film writer Kong Rithdee. None of the chosen films have been officially shown on the big screen in Thailand before.
Panu said that the nine films reflect fashion in different ways. ‘‘Blancanieves, for example, is a Spanish black-and-white silent film based on the fairy tale Snow White. Being black-and-white, we can see the silhouette without the depth that comes with colour, and we can see the mesmerising movement of clothes. A Single Man, the first film directed by Tom Ford, is full of fashion references in great detail. If you like fashion, you will tremendously enjoy these films.’’
Ultimately, the event is aimed at showing how fashion is accessible through lifestyle, according to Panu. ‘‘Fashion is not just on the runways. There are so many ways to look at it, and film is one of them.’’
Sirimon hopes the event, which will take place annually from now on, will inspire Thai people to try and make films that reflect fashion elements as well. ‘‘This year, we feature movies from France, Spain, Canada, the US and China. I wish to see Thai films in the list in the future, and I hope that this event serves as an inspiration for Thai people to embrace fashion and enjoy it through their own interpretation.’’
Fashion film festivals have taken place all around the world, from Croatia to South Korea and from the US to Japan, and the idea has been embraced by fashion and film crowds alike – and audiences who enjoy a thematic approach to movie-going.
ELLE Fashion Film Festival 2013 runs from Sept 10-15 at SFX Cinema, Emporium. Tickets cost 150 baht per seat, with 184 seats available per movie. An art installation will be displayed as a part of the festival at Fashion Avenue, 1st floor, Emporium.
ELLE Fashion Film Festival 2013 schedule:
8:00 PM - Single Man
8:00 PM - Blancanieves
8:00 PM - I Am Love
8:00 PM - L’Amour Fou
2.00 PM - Face
5.00 PM - Color Me love
7.30 PM - Coco Chanel and Igor Stravinsky
3.00 PM - Heartbeats
8:00 PM - Farewell My Queen
I am Love
“As a young, working class Russian, Emma (Tilda Swinton) is whisked away to marriage and life in the aristocracy of Milan. She dutifully raises her kids and organizes huge dinners and parties at their mansion as the Rechhi’s entertain business clients and their own family. It is during these parties that we realize Emma is technically part of the family, but really is still an outsider. She escapes to her own space once the events are running smoothly.
Being an avid cook herself, she easily clicks with a brilliant young chef introduced to the family by her own son. Very little doubt where it’s headed at this point as Emma unleashes the pent up energy she has been forced to hide. While we are very aware that the upper crust has learned to look the other way with infidelity, that’s not the case with the Rechhi’s and their Russian wife/mother.
The brilliance in the film is that it shows how the younger generation doesn’t really fit any better than Emma. The difference is that they are part of the fabric and will be allowed more rope than an outsider. Still it is painful to watch Emma and her son, who can’t quite adapt to the family business. Better yet, to watch her with her daughter, who confesses her preference for other women. Emma sees herself in these two, but doesn’t have the same freedom. Her best ally is the caretaker who seems to understand the multiple levels on which this family functions.
Fascinating interactions and complex writing make this a film for film lovers. There is so little dialogue, but so much is said with a glance or head nod.” (by imdb.com)
“The curtain rises on a despondent George (Firth) having lost his longtime partner. Sapped of energy and will, he struggles to wake each day and function as the brilliant college professor he’s expected to be. Few notice the change in him, but one student sees George as a magnet pulling him forward to a place even he doesn’t understand. Kenny (Hoult) seems to glow like an angel in George’s dark world and, yet, is a puzzle and presents a challenge which he doesn’t necessarily want to confront at this stage in his life. As is his custom, he turns to Charlotte (Moore) for a warm shoulder but the temperature drops amidst the chill surrounding George’s bleak existence.
Everything about this film — the look, colors, pacing, shots, composition, cinematography, costumes, soundtrack — says that an extraordinary amount of love and care went into it. Special mention to director of photography Eduard Grau and editor Joan Sobel for their keen abilities to work lockstep with Ford in projecting his vision onto the screen. Abel Korzeniowski’s score is haunting and moving. Despite his design genius, Ford was generous enough to entrust costume designer Arianne Phillips with the freedom to work unencumbered. Production designer Dan Bishop, with art direction by Ian Phillips and set decorator Amy Wells, created two worlds — a cold, stark one in which George sees only hopelessness, and another warm, colorful one in which he has hope.
What stays with the viewer, though, is the enigmatic friendship between George and Kenny. Nicholas Hoult is absolutely mesmerizing in this. The way Ford shot him made people gasp. He’s lit, framed, and shot like an Adonis. Of course, that’s the idea here. This will definitely be a break out role for the 19-year-old. The camera loves him, and it’s a pretty daring performance.
Most of all, this is a tour de force for Firth and a stunning achievement which is destined to be a highlight of his distinguished career. The range of emotions and the extent to which his character must convey them through his eyes and facial expressions, with the copious use of long takes without dialogue, left me wide-eyed with wonder.” (imdb.com)
x-Vogue editor Carine Roitfeld has moved from magazines into advertising it would seem after working with Mercedes Benz on a new concept commercial for their S-Class model that is tres chic and oh so fashion dahling. Featuring model Sui He wearing an incredible fitted dress and flowing black cape combo designed by Roitfeld herself, the effect is certainly dramatic.
Also collaborating on the project was V Magazine founder Stephen Gan, as well as photographers Max von Gumppenberg and Patrick Bienert, who all contribute to this super stylish if not substance free short, that at least looks the part if nothing else. Whether or not the fashionable people the luxury car manufacturer are targeting will fall for this glossy offering will remain to be seen but the one thing that undoubtedly shines through is Roitfeld’s impeccable taste, which perfectly translates on screen.
This may be no Tony Scott meets Saab but if it’s the impetus Roitfeld needs to give us the fashion line we so desire then we’re definitely all in favor.
Karl Lagerfeld’s period film Once Upon a Time, which stars Keira Knightley as Coco Chanel, is finally here.
The designer-cum-director reportedly gave the actors (including Knightley, Clotilde Hesme, Lindsey Wixson, Stella Tennant, Tallulah Harlech) their lines just moments before shooting–which makes a lot of sense when you watch the film.
The dialogue is sometimes stilted and awkward. There’s one moment when Knightley, describing a hat to Amanda Harlech’s “lady of society” character, seems at a loss for words. But then, since Lagerfeld was supposedly going for a “natural effect” with the dialogue, that may have been the point. Or, maybe it has to do with the inexperience of some of the cast. Let’s just say we hope Wixson, who plays Miss Wonderbilt (wink, wink, nudge, nudge), doesn’t try to make the transition from model to model/actress any time soon. Either way, it seems that long pauses and sort of awkward dialogue may be becoming a Chanel signature of sorts.
That being said, there’s still a lot to enjoy about the film, which is set at the first Chanel store in Deauville, circa 1913. We see Chanel interact with the city’s fashionable ladies and come up with the inspiration behind some of her most iconic designs. When Tennant’s character Lady de Grey tells Chanel she’s wearing her husband’s jacket, the designer remarks, “Tweed jackets are very chic on a woman.”
And of course it’s worth watching for the star cameos alone. Along with Tennant, the Harlechs, Wixson, Knightley, and Hesme, Ashleigh Good, Caroline de Maigret, Saskia de Brauw, Brad Kroenig, Hudson Kroenig, Jamie Bochert, Baptiste Giabiconi, Sebastien Jondeau, Jake Davies, and more also make appearances in amazing period costumes.
Watch the film below:
Here we present the second part of banned controversial commercials
Axe is pretty famous for many controversial commercials which in many cases were banned in some countries. Below one of them
Banned MasterCard “Blow Job” Commercial Is Priceless
Teresa Moore stops stops traffic, shoot with a hidden camera
This is the 90s commercial for French Connection which hit all the major newspapers headlines with the controversial lesbian kiss.
The vast amount of public complaints about the commercial nearly had it banned.
See video from our last shoot in Hua Hin
Location: Hua Hin, Thailand
Photography: allPhoto Bangkok
Video & editing: T.A.I. Films
Models: EM Modeling
Event Coordination: Bangkok Event Entertainment
Shoot for: Thai Fashion Design
Take a look at some of fashion campaigns that were banned in the UK and elsewhere.
Tom Ford: Shot by Terry Richardson in 2007, this provocative Tom Ford campaign was criticized for its pornographic approach and was subsequently banned in several countries.
Levis: Banned in the UK, this advert from Levis went viral online. Featuring a supposedly blind man watching a woman strip in a public toilet, it has had over 26 millions views to date.
Part of Diesels ”Kick Ass” campaign. With the tagline ”Diesel Sneakers. Not made for Running. (Great for Kicking Asses)”, it was never released on TV but went viral online.
More at: Hunger TV
AB-Normal is the streets-wear brand for these who prefer the kind of edgy simplicity that gives wearers a unique character of their own – the inspiration comes from sculpture. Naming his collection “Wear White”, designer Thaweesak Samanmit interprets the solid, strong structure of sculpture with a tender perspective. Using techniques that involves lines and polka dots, achieved through tucking and studs, the collection comes in an organic palette such as colors of soil, stone, cement and sand with white serving as a staple alongside beige, grey and black. The silhouettes remain simple, albeit with smart details in AB-Normal’s Signature “Simple Chic” style.
See the entire collection below.
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Beyonce’s full summer ad campaign for H&M has been revealed, and she is definitely beach-body ready.
In a campaign titled “Beyonce as Mrs. Carter in H&M,” shot by Inez van Lamsweerde and Vinoodh Matadin, Beyonce shows off her post-baby body in an array of colorful H&M swimwear cover-ups.
“I’ve always liked H&M’s focus on fun affordable fashion. I really loved the concept we collaborated on to explore the different emotions of women represented by the four elements — fire, water, earth and wind,” said Beyonce. “It was a beautiful shoot on a tropical island. It felt more like making a video than a commercial.”
The campaign, which was shot in the Bahamas earlier this year, will help promote her upcoming world tour. A full TV spot will also join the print campaign, and will feature a new song, “Standing on the Sun.”
Check out the complete photo shoot here.
Beyonce Knowles ad campaign for H&M Credit: Courtesy of H&M
The newest collection of Tannishtha shown at Banglore Fashion Week (Bangkok edition) in Central World on the 22th of March 2013.
For editorial usage, please contact us
The newest collection of Victeerut shown at Elle Fashion Week Bangkok in W Hotel on the 16th of March 2013.
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There are designers who make expensive, glitzy clothes for rich people – a lot of these designers show in Milan. And then there is Miuccia Prada.
She too sells top-end fashion, and rather well it seems given the label’s current buoyant profits, but with Prada it’s always a slightly more complicated story. After all, this is the designer who made hits out of banana earrings, stacked raffia lace-up shoes and satin jackets with vintage cars on their backs.
Her latest offering for women, shown in the Italian fashion capital on Thursday evening was an undoubtedly sexy affair though never in an obvious kind of way. That is not Prada’s thing. Instead, running through the gorgeous 49 looks on the catwalk – there was not a pair of trousers in sight – was an air of a vintage film heroine whose wardrobe was a little disheveled and whose hair was wet, as if it had been styled straight out of a 1990s grunge-era photograph.
“You can’t be romantic. There are so many restrictions. You have to control your feelings,” Prada said backstage after the show. The idea of romance was balanced for the designer with rawness. “Raw elegance,” she concluded was central to the look of the Prada woman this season.
That explains the hair. It also explains the way dresses or tops were often worn pushed off the shoulder – to show a dash of flesh. For example, an otherwise prim blue and white gingham dress appeared with several of the top buttons undone. Or a coat with furry gauntlet sleeves – this statement sleeve shape appeared throughout the show – which was pushed off the back of the shoulder and worn with a red leather skirt.
Certain things were carried over from the recent menswear collection – Prada said she would like to design more harmoniously for men and women but explained that it is just too difficult. Coloured leather coats and short Harrington jackets in the women’s show also appeared on the men’s catwalk in January.
The dominant skirt styles were tidy pencils or slightly fuller shapes, though it was the new two-length, lop-sided shape, which is likely to be seen in a lot of fashion shoots come autumn when the clothes arrive in stores.
Dresses with beautiful embroidery, such as the opening look, also offered a kind of cinematic moodiness, which the set, featuring black and white silhouettes of girls and cats or dreamy muted landscapes, seemed to echo.
Gingham bowling bags and metallic heavy tread two-strap sandals both look likely to sell with the usual swiftness of a hit Prada accessory.
Source: Guardian UK
The Victoria’s Secret Fashion Show is an annual fashion show sponsored by Victoria’s Secret, a brand of lingerie and sleepwear. Victoria’s Secret uses the show to promote and market its goods in high-profile settings. The show features some of the world’s leading fashion models such as current Victoria’s Secret Angels Adriana Lima, Alessandra Ambrosio, Miranda Kerr, Doutzen Kroes, Behati Prinsloo, Candice Swanepoel, Erin Heatherton, Lily Aldridge, and Lindsay Ellingson.
American network television broadcasts the show during prime time. The first few shows in the 1990s were held in the days preceding Valentine’s Day to promote the brand for this holiday. They were not aired on national television. In 1999 and 2000 the show was webcast. Beginning in 2001, the shows were moved ahead of the Christmas holiday season. Also in 2001, the show made its network television broadcast on ABC, though in all subsequent years, it has been broadcast on CBS. The show has been held at a variety of locations in different cities including Miami, Los Angeles, and Cannes. The first four shows were held at the Plaza Hotel in New York City, but since it has become a televised event it has most often been held at the Lexington Avenue Armory in New York City.
The show is a lavish event with elaborate costumed lingerie, varying music by leading entertainers, and set design according to the different themes running within the show. The show attracts hundreds of celebrities and entertainers, with special performers and acts every year. Each year, twenty to forty of the world’s top fashion models are selected to perform in the fashion show. In a typical year, this includes about a half dozen women under contract to the company, known as Victoria’s Secret Angels, who help publicize the event. The giant angel wings worn by the models, as well as other wings of various forms and sizes such as butterfly, peacock, or devil wings, have become emblematic of the Victoria’s Secret brand.
See the last two from 2011 and 2012. Enjoy!
See the full documentary here:
As if you needed another reason to have a “girl crush,” Kate Moss and Naomi Campbell share the cover of Germany’s Interview magazine – topless.
PHOTOS: Kate Moss Loses Her Top & Talks Johnny Depp In The December Vanity Fair
Believe it or not, Interview Germany is the very first German magazine that Kate was ever photographed for and she went all out…both literally and figuratively. Not only was Ms. Moss paired with another top supermodel, Naomi Campbell, but the shoot was done by none other than fashion photography duo Mert & Marcus.
Although the standout pictures in the article feature the two models topless, it’s more fashion spread than soft core porn.
Photo Credit: Mert & Marcus for Interview Magazine
Fashion film has evolved beyond videos of catwalks – and the big labels are starting to take notice
A blonde woman in a red fetish-style bikini moves to the slow beat of Love To Love You and an undercurrent of soft, ecstatic moans. She talks quietly in voiceover about her muscle-bound body: ‘I feel different to most women – stronger, leaner.’ She performs bicep curls with sculpted gold weights, the moans become louder.
Directed by Elisha Smith-Leverock, I Want Muscle won Grand Prize at last year’s ASVOFF Fashion Film Festival. Female bodybuilder Kizzy Vaines wore clothes by David Koma, Husam al Odeh, Lyall Hakaraia and Maria Francesca Pepe. The aim of the three-minute short, says Smith-Leverock, was to ‘play with taboos and gender stereotypes and to explore a different kind of female beauty’.
This weekend, the fifth ASVOFF film festival takes place at the Pompidou Centre in Paris. Over three days, visitors will be treated to filmwork as equally provocative and polished as Smith-Leverock’s.
Launched in 2008, ASVOFF has almost single-handedly encouraged an industry to reconsider the way it presents itself in film.
‘Fashion film is a vibrant, relatively new applied art form with huge potential,’ says founder Diane Pernet. ‘We’re still exploring exactly what the parameters are but I suppose the easiest way to define it is this: film where fashion is the protagonist, rather than a prop.’ (….)
Read more here (….)